“Projecting empowerment: camera politics in and beyond twentieth-century South Asia” in Dastavezi – The Audio-Visual South Asia, Volume 4, 2022, pp. 8-44

‘Ummijaan’s pictures were nice’: thinking about Haleema Hashim’s photography” in Trans Asia Photography, Volume 10, Issue 1: Writing Photo Histories, Fall 2019 

“The Intimate Contract of Photography: Haleema Hashim’s Practice and its Afterlives” in Object – Graduate Research & Reviews in the History of Art and Visual Culture, Vol. 19, 2017, pp. 29-54

“Amateurism, or the strange and radical kinship of the camera” in Framing Portraits, Binding Albums: Family Photographs in India edited by Suryanandini Narain and Shilpi Goswami, New Delhi: Zubaan, 2025, pp. 407-440. 

“The conviviality of Haleema Hashim’s photography”, in WOMEN/PHOTOGRAPHY- Alkazi Foundation edited by Malavika Karlekar, August 2021

“Seeing double: the photographic lives of Debalina Majumdar and Manobina Roy” in PIX, Personal Paradigms Issue, 2020, pp. 86-93 

“From Dumka to New Delhi: Conversations”, chapter in Cadence and Counterpoint: Documenting Santal Musical Traditions edited by Johannes Beltz, Marie Eve Celio-Scheurer and Ruchira Ghose, New Delhi: Niyogi Press, 2015, pp.80-87 (co-authored with Mushtak Khan and Krittika Narula)

Object – Graduate Research & Reviews in the History of Art and Visual Culture, Vol. 20, 2018 (co-edited with Laura Spada Scalabrella)